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Shogi Composition is a kind of recipe for collaborative composition
among various people with different musical backgrounds and various
musical abilities. It is just like playing cards around a table. A few
players around a table compose short passages one after another instead
of playing cards. Please enjoy it and compose new interesting music!
1) The number of players
In order to do Shogi Composition at least 2 players are required.
Although you can do it with 10 or more players theoretically, with the
more players you will have to prepare the greater amount of time.
Practically speaking, the proper number of its players can be 3, 4, 5,
or 6. Each player is supposed to bring his/her musical instruments,
some objects which makes sound, etc.
2) Useless paper etc. and coloured pens/pencils etc.
In order to do Shogi Composition you have to prepare paper to write
music down. Of course you don't have to prepare 5-lined-music-paper
because in Shogi Composition each player is allowed to write music down
in his/her own way. You can use drawing paper, useless calendars,
useless posters and so on.
You also have to prepare coloured pens/pencils etc. Each player is
supposed to choose one colour and use always the same colour.
When you complete the composition, the paper will be the artistic
picture as well as music score.
3) The process
At first you have to decide who will start, and which way to go round
the circle. Then the first player starts to compose his/her part on his
/her own instrument(s). When s/he completes his/her part, s/he writes
it down on the paper in his/her own way with the coloured pen/pencil.
Please notate it in any way as you will remember it later. You may draw
a picture how to play, you may explain by sentences, or whatever. As
soon as s/he writes it down, s/he hands the paper to the next player,
starts to play his/her own composed part and continues it until his/her
turn comes around again.
Similarly the next player makes another part which goes well with the
first part, writes it down in his/her own way next to the first part on
the paper, hands the paper to his/her next player, and continues the
part until his/her turn comes around again.
Similarly keep this process. Finally the last player writes his/her
own part, s/he hands the paper to the first player. Then the first
player stops playing and listens to every sound, makes a new part which
goes well with what other players are playing, writes it down on the
paper, hands the paper to the next player, and continue it until his/her
turn comes around again.
Similarly continue this process. Each player's notation does not
have to be understandable for everyone. If each player understands his/
her own notation and replays it later, any notation can be welcome.
The length of each part does not have to be the same. For example
after the first player composes a 4-bar phrase of 4/4 meter, the second
player can compose a 2-bar phrase of 7/8 or a 10-second-graphic-notated
part.
Continue this process without any break until you can not find any
space to write down on the paper. When the paper is full, composition
is finished. Don't stop the process until the paper is full. If you
can't help going to the toilet, wait for your turn to compose. During
your turn you may go to the toilet quickly. For musical reason having a
break during composition is absolutely bad.
4) Performance
For the performance, at first the first player starts his/her first
part and hands the paper to the next player. Then the next player
starts playing his/her first part and hands the paper to the next player.
Similarly keep the process until everyone plays every part.
Consult and decide how to finish the music before the performance.
In order to play fluently, practise the piece you composed according to
the Shogi Composition many times before the performance.
For example it takes 2 hours for composition and only 6 minutes for
performance.
You may photocopy the paper for each performers.